Posted by: daoh darko | September 10, 2007

I tawt i taw a puddy tat…

Suffering succotash!

This little bird is a community forum for designers and artists, worldwide especially those in Malaysia. A brainchild of Mike and his partner, Ivery till date they have some 13000 odd members in the site. That’s an awful lot of weirdos and vector fetishes for them collectively gather in just only a year.

After the successful attempt on publishing their debut independent design publication (known as Pipit Independent Creative Issue) and multiple involvements in exhibitions around Klang Valley, they are now looking forward for their first fiesta, PIPIT 1ST ANNIVERSARY, artist & designer festival 2007.

Watch out for exciting demos going on at the event and there will be some serious crossovers between top illustrators Gilamon and Urban Creatures to the likes of pop-kitsche heroes, 84Cubes and Monkeymonyet and a lot more. For more click on the image below or visit their forum at www.http://pipit.cccelsius.com/

So who said that tweety bird ain’t gonna fly that far?

PIPIT 1ST ANNIVERSARY, artist & designer festival 2007

Posted by: daoh darko | August 17, 2007

Bombing up Merdeka

This is awesome. Who in the world would give this sort of approval for an independence celebration?

Introducing Live Merdeka Spray & Paint

Organised by MBJB, WeirdArt Art+Music, Inspire Records and Rantai Arts, they brought up some fine taggers called the SuperSunday to bomb up walls (for the uninitiated, ‘bomb’ it means spraying graffiti fine arts) at the Amphiteather Stage. Legaran Segget, Johor Bahru. The event will be held 26 August 2007 with music performances by Reef Decma, TCHB, Novelea, Analogsix and Chinmaya. The usual suspects that will be participating in the art exhibition are Karya, Bangkit, Ribut Design and more.

Too many events for Merdeka i guess i’m staying home watching the parade with a flag in hand…

Live Merdeka Spray & Paint

Posted by: daoh darko | August 17, 2007

Merdeka beb… merdeka… (say it with utmost complancency)

Okay so everyone knows Malaysia is celebrating it’s Jubli Emas celebration this year’s merdeka. Everyone knows until every other Danial (Ahmad Danial Muhsin), Eric (Eric Chow Weng Yee) and Jay (Jayanathan) is organising small scale pot parties in some Duta Vista’s condos to Lap Sap fiestas in Jalan Bukit Bintang to mass events in some common places ala Bukit Jalil stadium.

But we insist, that all of you hang out with this one. In conjunction with 50th Merdeka celebration (i cannot believe i’ve used this phrase!) Pop Malaya, a collective of local designers and tee makers is organising street fiesta at the Annexe Central Market end of this month.

Sounds like another typical art exhibition? Quite wrong. No arts, just your plain raw music performances with the likes of Free Love, Muck and The Rebel Scum (wait a minute… a hip hop group? oh, they’re scumbags, so they a-ok)

And also to those who digs 16 – 21 year old ninnies can come over as there will be a street fashion show. Plus don’t miss out their extensive bazaar filling up with indie enterpreneurs selling t-shirts and other merchandises.

Other than that you can always take them young chicks back to your private parties. So, what else?

Merdeka beb merdeka. Seriously this is so getting overrated.

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Posted by: Ilisaurus-Rex | July 4, 2007

Looking for Value in M’sian Music (from Malay Mail)

original article here.

Looking for value in M’sian music

I JUST got back from a week plus time off from work and spent most of it bonding with my six-month-old boy, over- spending my money on music and books; rearranging my err … music and book collections.

And guess what I unearthed as I was spring cleaning?

Among the nuggets was Hapuslah Air Matamu, the original soundtrack, Black Sabbath’s 1972’s Paranoid album, one of the greatest and most influential heavy metal albums of all time; Ariesta Birawa’s self- titled debut album.

Just in case you don’t know it, Ariesta Birawa is an Indonesian trio that was lauded in the worldwide psyche/garage scene as one of the best to have ever emerged from this region.

With joy, I spent the whole week listening to these treasured recordings, particularly the Hapuslah Air Matamu original soundtrack.

Listening to Sharifah Aini sing the words of Hapuslah Air Matamu or Broery Marantika baring his soul on Sabar Menanti or even Datuk Ahmad Nawab’s infectious Regent Club instrumental, one could not help but wonder what has happened to the idea of melody in today’s music.

Great singers who tell stories and not just sing, and music that’s warm and does not sound like it has gone through multiple computer alterations.

Such music may not have commercial appeal but if packaged properly and positioned in a way where owning it becomes a source of national pride, I truly believe Malaysian music lovers will come to see its value.

It is also sad to know that the highly-anticipated five-CD collection of Malaysian popular music in the last 50 years project is no longer happening.

I was told that the project is off as it is apparently not commercially feasible.

The way I see it, while all sorts of celebrations have been lined up in conjunction with Malaysia’s 50th year of independence, Malaysian popular music has yet again taken a back seat, and that’s disheartening indeed.

With all due respect, events like The Rainforest Music Festival in Sarawak and Penang later this month, World Drum Festival in Port Dickson in November, will certainly draw tourists into the country, but in terms of its relevance to the average Malaysian, we don’t think any of the performers are as significant as, let’s say, Sharifah Aini, Jamal Abdillah, Search, or heck, even Mawi.

Now, who should be held responsible for this lack of appreciation?

Technically, the body responsible for looking after Malaysian popular music is the Recording Industry Association of Malaysia.

Or was it the Music Council of Malaysia or Majlis Muzik Malaysia, an association that was formed in 2000 by RIM. Maybe it’s the Musicians’ Union of Malaysia, Association of Malaysian Singers, Musicians and Songwriters and Malaysian Association of Live Entertainment Promoters or even the Culture, Arts and Heritage Ministry.

Whoever it is, I have only one thing to say — credit must be given when it’s due. And after years of being entertained by it, Malaysian popular music certainly deserves some.

Adly Syairi Ramly
Entertainment editor

Posted by: Ilisaurus-Rex | June 27, 2007

oh dear…

not quite artsy, but, erm. yea.. read on.

(from AP and Yahoo news)

Afghan women journalists targeted

By ALISA TANG, Associated Press Writer Tue Jun 26, 1:46 PM ET

KABUL, Afghanistan – Farida Nekzad began receiving menacing calls on her cell phone a half hour after arriving at the funeral of a fellow female journalist assassinated by gunmen.

“‘Daughter of America! We will kill you, just like we killed her,’” she quoted the man on the phone as saying as she stood near the maimed body of Zakia Zaki, the owner of a radio station north of Kabul.

Part of Zaki’s face was blown away by three attackers who entered her home and shot her seven times with pistol and automatic rifle fire in front of her 8-year-old son this month.

“‘At least people can recognize her from one side of her face. We will shoot your face, and nobody will recognize you,’” Nekzad quoted the caller as saying before she hung up on him.

The lives of Afghan women and girls have improved vastly since the 2001 fall of the Taliban, who stripped women of most rights and made them virtual prisoners in their own houses.

In cities and some rural areas, women can now go to school and work outside the home. But this month has seen a rising number of attempts to quash these advances with threats and violence.

Manizha Naderi, director of the rights group Women for Afghan Women, believes the recent attacks reflect a Taliban resurgence and spike in militant violence across the country. Afghan women in general, and journalists in particular, are being targeted because of their high profiles.

“They want to make news, and targeting the journalists is a way to make news,” Naderi said. “They’re showing the world, ‘We’re here and we’re still in charge of this country.’”

Women have played a large role in the country’s media advances the past six years, and several women work on TV news programs as reporters and newscasters. They are typically modestly dressed, with their hair and necklines carefully hidden under scarves.

Still, some Afghans think it is inappropriate for women to appear before the public.

When Afghans talk about Shaima Rezayee, a popular music video show host shot to death in 2005, they speak in hushed tones — about the racy, un-Islamic way she dressed and behaved on TV, as if this justified her death.

And it appears Zaki may have been targeted because of her radio programming.

The radio host had been critical of warlords who warned her to change the programming on her station. Two suspects being held for her slaying are connected with the militant group Hezb-e-Islami, officials said.

In a second killing of a female journalist this month, Shokiba Sanga Amaaj, a newscaster for private Shamshad TV, was shot in her home in Kabul on June 1. Two family friends have been detained in the case.

Authorities say they do not know the motive for the killings of Zaki or Amaaj.

Threats in this war-torn and corrupt country are not uncommon.

Nekzad, 29, who works for the news agency Pajhwok Afghan News, forwarded an e-mail to an Associated Press journalist that warned her, “We will kill you as soon as possible, INSHA ALLAH” — if God wills it.

The message, dated June 8, accused her of sexual impropriety and of working for NATO. It was signed “Habib from Hezb-e-Islami,” the same militant group authorities suspect in Zaki’s death. The authenticity of the e-mail could not be verified.

Nekzad said Afghans began paying attention to her fears only after she told foreign journalists, who took the dangers she faced seriously. She said she wondered if her own role as a journalist could somehow have saved Zaki.

A year ago, Nekzad assigned a reporter to interview Zaki about death threats she had received. Zaki later decided against airing the story, so the reporter scrapped it and erased the videotape.

“If it were published, maybe the international community would have taken it more seriously, but after her death, it has no meaning,” Nekzad said. “Nobody paid attention, not even the international community or the government.”

Meanwhile, Nekzad has begun changing her work schedule each day so potential attackers cannot track her routine. She sleeps in a different room of her house every night. She goes without sleep for days, and her speech is punctuated by a cough that she says is caused by stress.

“Maybe they will kill me after six months, after six days, after six minutes,” she said. “We know that one day we will leave this world, but if you are informed that you will be killed, it is very, very bad. Every second kills you.”

Posted by: Ilisaurus-Rex | June 23, 2007

I met Jarvis at the airport…

If that actually happened, I’d be the happiest person in this whole wide world now. But I did manage to catch Jarvis Cocker’s ‘Don’t Let Him Waste Your Time’ videoclip screened at one of those airport TV. I’m not too sure if that clip is screened on any local TV here. But I sure know that it’s not getting any airplays on local radios. Jarvis, the legend, is not as cool as My Chemical Romance. But why was his clip played at the airport tv? Right after Vanessa Hudgens ‘Baby Come Back’

Ok, so you might find this whole discussion almost pointless, but think of it this way. If the airport can show the clip, why can’t normal TV? No demand? Bollocks. Malaysian viewers are always looking out for something different. Plus, isn’t it the media’s role to shape the society and not the other way round (like what’s happening now here. Well at least in music context). Try feeding locals to more Jarvis, or Feist, or Death Cab for Cutie. Keep it constant. Bring out the alternatives. And you might just see some change in the scene. Maybe. Hopefully.

Words Salma Karami

Posted by: yellow menace | June 22, 2007

mojizu dim sum

moji1.jpgYou know dim sum. Those little pop-in-your-mouth Cantonese morsels of dumplings, buns and what-nots. Well, here’s a dim sum feast for the eyes – Mojizu. Since we’re on the subject of character design, as per Tuan Brown’s last post on the seminal work I Love U Baby, Mojizu fits quite nicely as an online community of delicious character designs.

moji2.jpg

Mojizu is a community of artists with a penchant for character designs or Mojis. Every Moji that you submit is showcased on their website and users get to vote for their favourite Moji in the MojiWar. Every Moji emerges from the womb with a background in a unique page that fans get to comment on, offering support or war taunts.

Check the website out, create your own page, submit a Moji and then go to battle with other Mojis to emerge victorious. There’s nothing like the smell of character carnage to get you started in the morning.

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Words Yellow Menace

Posted by: daoh darko | June 22, 2007

cheap cheap. i lup you long time.

I never was into figurines/vinyl toys/limited edition collectible toys. I never was fascinated in illustration characters even when i started reading conan the barbarian with nude illustrations my dad used to bring back home when i was 10.

Well i’m not dissing anyone here. I can understand everyone has their own fetish. Some prefer toys (you geek…), some prefer ladies’ g-strings (you pervert…) and some prefer first editions books (please get a life already!)

So here it is, a book of design characters by designers all over the world called I Love You Baby, having its first appearance tomorrow at the Love and Money art exhibition in Avenue K. For those who are really into these i have a feeling you might get pretty drooled up looking through 486 pages of characters, sketches, stickers, miniature dolls etc. etc.

I Love U Baby features 31 of today’s top character designers with the likes of Jon Burgerman, Furi Furi Company, Megane27, Nanospore, Shojo No Tomo and our very own homegrown designer, Stephen Lau.

So for those who really love these plastic creatures, you can have a go. But for those like me who preferred stamp collecting instead can just go and stain some of the copies with your finger prints browsing through while try to figure out why they created all these in the first place.

So maybe i would go and have a look at the book. I wonder it features those tentacle-hentai figures…. :P

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Words Daoh Darko

Posted by: yellow menace | June 21, 2007

ben caldwell makes me cream my pants

Little known comic artist Ben Caldwell has some mad skillz on the comic front. Though I’ve never laid eyes on his comic works (here, here and here), I’ve managed to get my hands on his How-To Books (here and here) and he inspired me to my (now defunct because I suck monumentally) hobby of comic art.

It’s been called new retro style, his characteristically bold lines and dynamic figures, and it’s been artistically compared to Genndy Tartakovsky of Cartoon Network gems, such as Dexter’s Laboratory, Powerpuff Girls and Star Wars: Clone Wars (Caldwell worked on the comic book adaptation Clone Wars Adventures).

His latest projects involve re-imagining classic literature such as Dracula, The Odyssey and Tom Sawyer, in his All-Action Classics series that are mouth-wateringly tantalisingly out of reach, unavailable at all leading bookstores.

Here’s a sample of his sketches. You’ll find more on his gallery and some instructional work on his forum. Well worth a browse through.

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Words
Yellow Menace

Posted by: wordsmanifest | June 21, 2007

down with the truck diesel, sweetie.

I think I know why I was so hesitant to post my first entry up on here: Peep Show, in my head, was supposed to be this high-brow, deeply intellectual, and above all serious online art initiative, highlighting the most outstanding contributions to mankind’s search for the beautiful.

Bollocks, mate.

Last time I was highbrow was when the boys told me there was still some dro in the joint, even after four rounds. But you don’t need to know that. Peep Show is about things we think – and by we I mean the people who run this blog, so if you don’t agree with our delicate sense of aesthetics you can write down your list of grievances on heavy art stock, roll it up into a big fat wad, and do a reverse-shit with it – but I digress. Peep Show is about things we think look, or sound, or feel pretty. And it doesn’t really matter where this prettiness comes from. No, Firdhaus, it doesn’t matter! It shouldn’t! Anyway. This should diffuse the pressure for me: my first post.

DieselSweeties.com has been around for a long minute, and I’ve been reading them with much gusto. Loosely revolving around the travails of a robot with a Pinocchio-esque penchant for becoming more human, albeit with less lying. Oh and he has a lot of sex. With multiple women. And there’s a music snob in there somewhere. And a talking Apple II. And a black Canadian. And a homicidal red robot. You’ll just have to read it. Visually, the strip is rendered in glorious pixel graphics; I’m not sure if they were one of the first to do it online, but they sure look like one of the best. The visual aesthetics have won over so many fans that Diesel Sweeties has (of course) branched out into the realm of PayPal merchandising, with items on sale ranging from trade paperback collections, t-shirts, prints and posters. Pretty good way to lose your rent money right here.

Words Wordsmanifest

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